Kutamba AIDS Orphans School

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Tue, 2009-01-06 09:05

If I think about it too much it can be debilitating: 300 children, orphans, having lost both parents to HIV/AIDS, living alone or with elderly guardians hardly capable of caring for themselves. And yet, these children have a passion for education like nothing I've seen, and for one reason alone: because they understand their education is their survival. These are my clients. These are the students of the Nyaka and Kutamba Schools. For three months I have been in Uganda working jointly with the Nyaka AIDS Orphans Foundation and Architecture for Humanity designing and building a primary school. My role is simultaneously architect, contractor, supervising foreman, mason and day laborer, but never in such a perverse hierarchical order. Ultimately, I am here to follow in Architecture for Humanity's now famous mantra; I am here to “design like I give a damn”.

So what is it that compels us to design? One could argue that it comes down to two things: ego and money. Some may call it passion, but at the root of that passion is usually a raging ego. Beyond that, what compels us to design for the less privileged, the indigent, or the other 98%, a demographic that for the most part has little idea what an architect is or does? And without the money to pay for architectural services, such demographics have very little voice in the shaping of their physical surroundings. Compassion, sympathy, guilt, self-righteous religious calling, or a naïve Utopian belief in humanity and equality, we as designers are, at the end of the day, putting ourselves out there to benefit a broader scope of society.

When working in developing countries, especially rural areas, it quickly becomes evident that your role is first one of education, educating yourself to the vernacular contexts within which you are expected to contribute. You have to ask yourself questions like: Who is doing the building? Why do they build and for whom? How do they build, what do they build with and what is the resultant product? In a place where design, as we know it, is of little consequence, design aesthetics and the design ego play a minor role. A house is clearly a house, whether it is of waddle & daub or brick masonry; a school looks like a school no matter what village you live in, and so on. Design, therefore, is the easy part of the equation; getting shit built and built well, this is the crux of working in a developing country.

Methodologically, I've responded to building in Uganda with an almost autodidactic approach. I am building the first of several simple latrines with minimal help, constructing the bulk of it alone. This process will serve as a learning tool, a way to test and understand the potential and limitations of the locally available building materials. Using a combination of concrete, brick masonry and wood wall and roof construction, this small structure will test every material and method of construction to be used in the classroom buildings. The benefits of this approach are obvious, and with this gained knowledge I can better serve the clients I am designing for and the people who will build it.

In the end, it is more than just “designing like you give a damn,” because design without action is masturbation, well intentioned, maybe, but passive-aggressive at best. We must be better doers, capable of listening, inventing, constructing and teaching all with the same “give a damn” sentiment we so avidly profess for design.

 

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